On the left we have a combination of local cameras and external feeds arriving by either satellite or fiber. Below is an overview of typical live production workflow. Of all the applications in a broadcast facility, none are more demanding technically and operationally than live production. ![]() Here, we take a look at one of the more complex functions in live production and playout applications Multi-View monitoring and probing and how TAG Video Systems works with uncompressed formats such as SMPTE ST 2110 and SMPTE ST 2022-6 as well as compressed formats such as JPEG 2k, H.264 and H.265 all within the same system to bring the maximum flexibility and scalability to these critical broadcast applications. ![]() ![]() This key development means that complex live production and playout workflows can be implemented on generic IT equipment leading to the economies and added flexibility of the IT industry’s data center model. ![]() The preceding article lays down the foundation of how, thanks to IP and advanced software techniques, it is now possible to support uncompressed video signals in 100% software solutions running on Commercial Off the Shelf (COTS) computers servers. This article was first published as part of Essential Guide: Software COTS For Real Time IP Broadcast.
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